Lemoine Dufourt - Ombre Portée - Violoncelle
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Essential Information About This Score
Essential Information About This Score
- Premiere at the Philharmonie de Paris: performed on 03/22/2015 in Paris, at the Philharmonie 2 - Amphitheatre venue.
- Reference Performance: premiere performed by Marc Coppey, a cellist renowned for his commitment to contemporary repertoire.
- Institutional Commission: work commissioned by the Philharmonie de Paris, guaranteeing a demanding artistic project.
- Ideal for exploring contemporary music: a relevant resource to enrich a concert program or deepen an interpretative approach to the cello.
Manufacturer Information
Lemoine
https://www.henry-lemoine.com/fr/nous-contacter
info@henry-lemoine.com
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Hexamusic
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Summary of This Score
This score is part of a creative initiative led by the Philharmonie de Paris, with its first public performance on March 22, 2015 in the Amphitheatre of Philharmonie 2 in Paris. Associated with Marc Coppey (cello) at its premiere, it is particularly suited for musicians and educators wishing to approach contemporary writing through a precise reading of the musical text, nuanced dynamics, and exploration of sonic colors. Designed both for concert contexts and study, it naturally finds its place in a library dedicated to the contemporary cello repertoire, whether preparing for an audition, recital, or an artistic project centered on today's music.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Artist | Marc Coppey | Year of Publication | 2015 |
| Instrumentation | cello | ||
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Questions frequently asked
What instrumentation is planned for Ombre Portée by Lemoine Dufourt?
The score is written for cello. It belongs to the contemporary classical repertoire intended for this instrument.
From which year is the Ombre Portée cello score?
The indicated year of publication is 2015. The first public performance took place on March 22, 2015, at the Amphitheatre of Philharmonie 2 in Paris.
Who premiered this work for cello?
The premiere is associated with cellist Marc Coppey. This first performance was held at Philharmonie 2 in Paris.
Is this score suitable for studying contemporary cello?
The writing offers work on reading the musical text, dynamics, and sound colors. It can be incorporated into pedagogical work around contemporary repertoire for cello.
For which musical context is this score intended?
Its use is intended for concert performance and study. The score can accompany preparation for an audition, recital, or project dedicated to contemporary music.
